Blog

Getting into the refining stages, check out my blog for a step by step process from the beginning.

This is by far the most popular of my digital works. I have more views and sales of this image than any other so I thought I would compile some of the images history in one place on my blog. This was originally created for a "Chop A Turtle" contest on Worth 1000 when it was still around.

The Pink House is one of my favorite photographs. It sits in the middle of the salt marsh in Newbury, Ma. and I drove by that house every day on the Plum Island Turnpike for the 2 years I lived on Plum Island. It is an enchanted, abandoned old house that sits all alone in the middle of the marsh. I always wondered about the story of the house but never knew anything while I lived there.

Western Series of Textured Photographs
These have been a lot of fun creating and now I am piecing images together from multiple images as well as just applying textures. Here are my latest works.

I started on a new painting yesterday. I thought I would do a watercolor this time, Ive been wanting to do one for a long time now. While my wife and I were out thrift store shopping this weekend I came across a stuffed Raccoon at the Salvation Army Thrift store and snapped a picture of it. It is pretty old and disgusting but I thought it would work well as a reference.

I started a new Coyote painting last night. I am painting with
acrylic paints on watercolor paper for this one. This is on a half sheet of smooth paper 15"x23"

This is my progress so far and the step by step process follows.

I have entered a contest where I have to paint a Phoenix. I have never done a
Phoenix before and it isn't usually my genre of subject but I really like
the idea of painting fire so I thought I would give it a try.

I will be posting a daily step by step process of the work and on the fly changes as they happen.

I created this image the other night while going through some of my old images that had promise.

Bowtruckles are magical creatures that live in trees that are usually used for wands. They dwell in western England, southern Germany and certain Scandinavian forests. They are pixie-like bark-coloured tree-guardians of about eight inches in height. They have knobbly arms and legs, two twiglike fingers on each hand and a barklike face with small beetle-brown eyes; a camouflage that makes them difficult to spot in their natural habitat.

I created another manipulated image for a contest on Dagger Bay.

I'm starting a new digital painting today and thought I would post my progress as I go along. I am using a photo of Crush that I took a few years ago as the inspiration but am doing everything freehand from sketch to final painting.

I read this on the Skinny Artist web site and it struck me as coming from right where I am at this time with the move back to Reno and the change in career. Hopefully it resonates with others as well.

The Awakening

A time comes in your life when you finally get it. . . when, in the midst of all your fears and insanity, you stop dead in your tracks and somewhere the voice inside your head cries out–ENOUGH! Enough of the fighting and crying and blaming and struggling to hold on. Then, like a child quieting down after a tantrum, you blink back your tears and begin to look at the world through new eyes.

This is your awakening.

I have been pumping out new and exciting Woodies and have over 100 different original works available on my website. I have been experimenting using prints of my Woodies from FAA as veneer by gluing them to an MDF substrate like decoupage using matte medium and then applying a clear finish and it works fabulous.

I have many different styles of Woodie, some very rustic and some classic veneer like burls or spalted wood. By gluing the printed image to a substrate they can be used as the beauty panel in cabinet or furniture doors.

I have been doing watercolor paintings since my college days in Southern California. I have always loved going back and forth from oils to watercolor as you are taught to work in opposite manners. In watercolor the theory is to leave the paper as the white in the image. This requires working from light washes to the dark shadow colors. In oils you start with dark washes and the final layers are the highlights.

By going back and forth between the two mediums it challenges my thinking and has me thinking "why can't I paint oils like watercolors?" In watercolor it requires painting with white. (OMG!) Which in purist watercolor circles is heresy. Fortunately I am not a card carrying purist so that doesn't matter to me.

I have been a proud member of the Worth1000 community of crazy artists and photographers since April 02, 2006. I am known there as RatbarSteward. Here is a link to my portfolio. http://all.worth1000.com/artists/RatbarSteward/portfolio

I originally became a member at Worth1000 to learn more about Photoshop and how to create the amazing photo chops that the legendary artists there make. The membership at Worth has suffered the last few years after it has been bought and sold a few times and hopefully the new owners will revitalize it to its former glory. The community there is second to none and I miss it in my artistic life. In that community they used to do interviews of some of the more colorful members and I was fortunate enough for them to do one on me. For those of you who would like to know a little more about me here is a link to that interview. http://www.worth1000.com/discussions/69922/photogworther-inverview-34-ratbarsteward

I am starting on a new series of digital composite images on anthropomorphic vegetables and foods. I'm going to shoot them in the house with my studio lights and composite with body parts and faces. Should be a lot of fun and I already have a bunch of cool ideas. (usually the hardest part)

I'm taking the plunge and depending on my artwork to make a living, this is really scary to me although I have always wanted to try. Raising two children just didn't allow me to try when I was younger, things like insurance and eating were much too important. My health isn't getting any better and I am definitely not a spring chicken. I can no longer work in the construction/millwork industry with my arthritis problems.

I have decided I would like to do something I love with whatever time I have left in this world and creating things is what makes me happiest. I plan on diversifying between conventional painting, drawing, photography and digital art to keep it interesting. (Maybe even a little woodworking and sculpture as well) If I can find the discipline to work on at least one project every day I believe I could make it work.

I have been doing quite a few digital paintings lately and am amazed at how similar to the "real" painting process it is becoming for me. I use a Wacom Bamboo tablet and Photoshop for my paintings. I was really surprised at how long it takes to do these paintings not that the time really has anything to do with the creative process. I really like the skin texture I can get in Photoshop with my portraits and am excited to do more experimenting with the process. The ability to do color changes is something I really like with a digital painting. I can experiment with different color combinations without having to repaint everything.

Click on the link to read more and see more paintings

This is the next image in my series of paintings from the Edward S. Curtis Collection in the Library of Congress. I plan on doing quite a few of these as they really are powerful images to me. Click on the link for the rest of the story and a link to the Collection.

Woodies begin life as simple boards or leafs of veneer. In the original version they were either resawn on a bandsaw and glued up as book matched panels and the veneer was glued to a substrate. Click the link to read more.

As an art student attending several community colleges over the years in Southern California I was exposed to many of the classic works of art at the wonderful museums and galleries in California. Click on the link to read more.

I apply the finish and match colors on custom architectural mill work for rich clients and corporations as a day job. In the course of that work I am exposed to some of the most beautiful wood that exists. Many years ago I began seeing faces in the figure of the wood on custom conference tables we were building and decided to "enhance" the faces so others could see them as well. Most of these faces would occur on veneer panels with the symmetry of the mirror image resulting from the book matching of the leaves of veneer. I discovered I could also make my own book matched wood by re-sawing solid wood in thin sections and gluing them up like they do when making sound boards on acoustic guitars. I made over 100 of these solid "woodies" painting eyes and other things to enhance what I was seeing in the figure of the wood. I sold almost all of these originals in a gallery in Reno, NV. To my surprise and delight everyone saw faces in the wood as well but no two people seemed to see the same things. The most fascinating thing about woodies to me was all the different interpretations everyone came up with and were even willing to argue about what each one actually was to them. That encouraged me to make them more open to interpretation when I created them. Recently I have been creating my woodies digitally. I still have access to amazing wood species and find that photographing the wood grain and book matching the veneer digitally in Photoshop is much easier, allows me to create multiple creations with the same piece of wood and allows more options.

I have several versions of these new digital woodies available online as prints on my website: http://rick-mosher.artistwebsites.com/